![]() He said, “In various different versions of that we first to go –, James the art director, production designer, he builds the set with the idea of obviously what we’re going to stage in there, what the scene is about. Legato spoke about finding shots on the actual day using this technology. We could “film” the creatures that were there, using the cameras as though this were a real set. On the set, we got a chance to check out some of the virtual reality cameras, which were set up for us as an island near Pride Rock. And so that test was like we can do this and now we want to improve the art form.” It could only do what it really is built to do. And we also tried not to make it in that particular movie have any kind of human characteristics. “Well, the first one is, part of it was the Jungle Book thing that you can get to that portion of photorealism with creatures that you have seen and seen them in documentaries and zoos and various other things that you can see them up close and then kind of confuse the eyes that was fake. Legato spoke to us about about the challenge of the film that drew him in. On set we also spoke with VFX Supervisor Rob Legato, Virtual Production Supervisor Ben Grossman, VFX Supervisor- MPC Adam Valdez, Director of Photography Caleb Deschanel, Production Designer James Chinlund and Animation Supervisor Andy Jones. You can check out our chat with director Jon Favreau by clicking here. Way back in December of 2017 we got a chance to visit the virtual set of the film and interview the filmmakers. The Lion King opened on July 17, giving audiences a look at the classic Disney animated film through more realistic eyes.
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